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Syntax in Space - Chaos of Fragments
Syntax in Space - Fragment Lutz Förster performs Dream Forest by Heiner Müller
Syntax in Space - Fragment Alexandra Aidu performs Hieroglyphe by Fabiane Kemmann with visualised music
Syntax in Space - Fragment Pierre Geagea performs At Night by Franz Kafka with visualised music
Syntax in Space - Fragments of Dream Forest by Heiner Müller
Syntax in Space - Fragments of Heiner Müller's Dream Forest with Lutz Förster

SYNTAX IN SPACE - APP

Audiovisual App

Digital Art

After an original concept of

Michael Donath

Artistic direction

Michael Donath, Fabiane Kemmann

Director

Fabiane Kemmann

Music

Nico van Wersch

Camera, Postproduction

Aleko Gotscheff

Dancers sign dance/poetry

Lutz Förster, Pierre Geagea, Alexandra Aidu

Text

Heiner Müller, Fabiane Kemmann, Franz Kafka

Translation

Ann Cotten

Graphics

Arno Waschk

Choreography

Pierre Geagea, Anna Seymour

Set design

Christian Kleemann

Costume

Nina Kroschinske

Graphic direction

Michael Donath

Coding

Benny Lichtner

Logo, Typography

Leonard Nikita Neumann

Additional Support

Gerd Sälhoff

Sound Mixing

Reimund Hornich

Dramaturgy consultant

Anja Quickert

Special thanks to

Sign Language interpreters Harriet McKenzie-Donovan, Nesrine Kamel, Zoe McWhinnie

Audiovisual App

Digital Art

Syntax in Space - Chaos of Fragments
Syntax in Space - Fragment Lutz Förster performs Dream Forest by Heiner Müller
Syntax in Space - Fragment Alexandra Aidu performs Hieroglyphe by Fabiane Kemmann with visualised music
Syntax in Space - Fragment Pierre Geagea performs At Night by Franz Kafka with visualised music
Syntax in Space - Fragments of Dream Forest by Heiner Müller
Syntax in Space - Fragments of Heiner Müller's Dream Forest with Lutz Förster
Syntax in Space - Lutz Förster performs Nachts by Franz Kafka
Syntax in Space - Music of Nico van Wersch visualised by Arno Waschk
Syntax in Space - Fragments of Dream forest by Heiner Müller
Syntax in Space - Fragments of Hieroglyph by Fabiane Kemmann
Syntax in Space - Chaos of Fragments
To enter this app is like entering a forest; beauty full of contrast, rich, exciting sound, rectanglular tiles of many layers of work, moving in relation to each other and to the user, just like trees do as one passes through. Instinctively, like one breaks off and licks icicles, one moves through this scintillating woods, moving oneself and moving the squares, the windows into a process. When two make a match, it is like an unsought jackpot. Hands, changing, bodies, light, and time: a forest that plants itself into one's mind as if for later recognition. Ann Cotten www.syntaxinspace.com
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